About Materia

Why material knowledge matters.

Materia is an open-access, peer-reviewed journal devoted to the technical study of art objects and the many ways material evidence reshapes what we know.

Materia: Journal of Technical Art History is a digital, open-access peer-reviewed journal for the technical study of art objects. We serve a broad readership—from conservation specialists, academic and museum professionals to anyone interested in the materiality of artworks. Our contributors include practicing conservators and conservation scientists, art historians, and researchers across material culture, archaeology, and social anthropology. As a scholarly forum connecting these fields, Materia highlights the value of examining cultural heritage through a material lens.

Through object-based study, Materia presents interdisciplinary work ranging from technical case studies and discussion pieces to feature-length articles grounded in art-historical context and new theoretical frameworks. The journal also provides a platform for primary research by students and emerging professionals in conservation and technical art history. Materia welcomes researchers at every career stage while creating opportunities for students to participate in peer review and assess one another’s work.

Materia is published entirely online and is freely accessible. This format supports more sustainable publishing while encouraging exchange across institutions, disciplines, and borders. Through this commitment to access, we hope to make a timely and lasting contribution to the growing field of technical art history.

01

Object-based

Close looking, technical evidence, and the physical life of artworks sit at the center of every issue.

02

Interdisciplinary

Conservation, science, art history, archaeology, and material culture meet in one shared forum.

03

Open access

Born digital and freely available, Materia is designed to circulate knowledge as widely as possible.

Editorial team

Materia is shaped by conservators, scholars, scientists, and museum professionals working across North America and Europe.

Bianca Garcia

Balboa Art Conservation Center

San Diego, CA

Caroline Kirmer

Château Dufrense

Montreal, Canada

Courtney Books

Pocobene Studio

Boston, MA

Cynthia Prieur, PhD

University of Victoria

Victoria, BC

Douglas MacLennan

J. Paul Getty Museum

Los Angeles, CA

Emma Dacey

Smithsonian American Art Museum

Washington, DC

Emma Jansson, PhD

Stockholm University

Stockholm, Sweden

Julie Ribits

Cincinnati Art Museum

Cincinnati, OH

LaStarsha McGarity

Tuskegee University Legacy Museum

Tuskegee, AL

Lucia Bay

Isabella Stewart Gardner Museum

Boston, MA

Mary Cason

Copy Editor

Morgan Wylder

Balboa Art Conservation Center

San Diego, CA

Roxane Sperber

Indianapolis Museum of Art at Newfields

Indianapolis, IN

Sami Norling

National Gallery of Art

Washington, DC

Shan Kuang

Kimbell Art Museum

Fort Worth, TX