Object-based
Close looking, technical evidence, and the physical life of artworks sit at the center of every issue.
Materia is an open-access, peer-reviewed journal devoted to the technical study of art objects and the many ways material evidence reshapes what we know.
Materia: Journal of Technical Art History is a digital, open-access peer-reviewed journal for the technical study of art objects. We serve a broad readership—from conservation specialists, academic and museum professionals to anyone interested in the materiality of artworks. Our contributors include practicing conservators and conservation scientists, art historians, and researchers across material culture, archaeology, and social anthropology. As a scholarly forum connecting these fields, Materia highlights the value of examining cultural heritage through a material lens.
Through object-based study, Materia presents interdisciplinary work ranging from technical case studies and discussion pieces to feature-length articles grounded in art-historical context and new theoretical frameworks. The journal also provides a platform for primary research by students and emerging professionals in conservation and technical art history. Materia welcomes researchers at every career stage while creating opportunities for students to participate in peer review and assess one another’s work.
Materia is published entirely online and is freely accessible. This format supports more sustainable publishing while encouraging exchange across institutions, disciplines, and borders. Through this commitment to access, we hope to make a timely and lasting contribution to the growing field of technical art history.
Close looking, technical evidence, and the physical life of artworks sit at the center of every issue.
Conservation, science, art history, archaeology, and material culture meet in one shared forum.
Born digital and freely available, Materia is designed to circulate knowledge as widely as possible.
Materia is shaped by conservators, scholars, scientists, and museum professionals working across North America and Europe.
Balboa Art Conservation Center
San Diego, CA
Château Dufrense
Montreal, Canada
Pocobene Studio
Boston, MA
University of Victoria
Victoria, BC
J. Paul Getty Museum
Los Angeles, CA
Smithsonian American Art Museum
Washington, DC
Stockholm University
Stockholm, Sweden
Cincinnati Art Museum
Cincinnati, OH
Tuskegee University Legacy Museum
Tuskegee, AL
Isabella Stewart Gardner Museum
Boston, MA
Copy Editor
Balboa Art Conservation Center
San Diego, CA
Indianapolis Museum of Art at Newfields
Indianapolis, IN
National Gallery of Art
Washington, DC
Kimbell Art Museum
Fort Worth, TX